Intertextuality is created from the beginning in this music video as the establishing shot shows the feet of a dancer wearing dance shoes and leg warmers. This shot is extremely similar to the opening shot of the last dance scene in the movie 'Flashdance' from 1983. The majority of Geri Halliwells fans at the time of release in 2001 where teens and young adults so they may have been familiar with the film and if not the 'last dance' is very prominant in popular culture. The use of intertextuality will also appeal to the slightly older target audience of 30-40 years of age because they will recognise the similarities as soon as the video begins because the same medium close up worms-eye-view shot has been used.

As Geri Halliwell begins to dance the music begins to distort which distracts Gerri and she ultimately falls. This supports Todorovs theory of equilibrium in the beginning which is then disrupted by an unfortunate event which is then overcome by the character and a new equilibrium is reached. Although this is a performance video there is also narrative included as the viewer is lead to believe that Geri is an aspiring dancer, therefore the audience is shocked and perhaps sympathise with the character when she falls and her dreams appear dismantled. Diegetic sound is also used; which breaks conventions, as Geri says 'Can I start again' with a desperate look on her face. This makes the audience get behind the character as people generally appreciate an underdog who turns their negative situation into a positive and then prevails.

Excitement is generated through this medium long shot of Geri's fellow students appearing to be enthusiastically fighting to get a place closest to the double doors in order to catch a glimpse of Geri's dance. This suggests that the choreography used is revolutionary and innovative and before its time because people are desperate to see it. There is a similar idea in 'Flashdance' as the protagonist performs a dance which is viewed to be less traditional and more post-modern.
The tapping of the feet is also a reference to 'Flashdance' as this was used to show the increased interest of the judges. Although a very small action this is used to symbolise that they are being forced to disregard their stern outward appearance and have lost control due to the exciting performance.
Vouyerism is also heavily emphasised in this music video. However I do not believe this is to attract 'The male gaze' as Laura Mulvey suggests. I think that Geri is using this video as a way to introduce her new image. Gerri was frequently labelled as 'the fat one' in 'The Spice Girls' and therefore as she launched her solo career I believe she wanted to make a statement towards all the people that judged her body. Therefore a new star image is created and she is represented as being extremely fit and healthy.
This is an example of showing the effect Geri Halliwell's new and improved body has on people. In this medium close up shot, the top of Geri Halliwell's head is cut from the frame and therefore the audiences' entire focus is on her body. 'The male gaze' is also shown on screen as the man is seen looking up at her in complete awe.
Geri is also represented as being very young in this music video. The indexical signs of a corridor, lockers and books and files held close to the chest symbolise a student. Although Geri may be slightly older than the role she is playing the audience still believes her character which makes her appear more youthful with in the media.
Geri is shown here in a low angle shot looking straight into camera from above. This could symbolise her rise into her new solo pop career.
The video is extremely energetic, with a large cast who are excitedly jumping and running out of the building. It is extremely reminiscent of 'Fame' which further creates post modernism.
The close-up of Geri's T-shirt which says 'Famous' is also a reference to 'Fame'.
How this post has influenced my planning:
- I will use intertextuality to create post modernism in my music video.